The United Kingdom is going through a lot. A government just holding its head above water, under siege on all fronts. Like the rest of the world, Covid has taken a toll on the country. Citizens refusing to understand the gravity of the virus. The Brexit drama continues its tortuous walk to an end of a year climax.
On the fashion side, London Fashion Week, the smallest of the Big Four events mixed online and live shows. I have always had the opinion the British capital city charts a different course from Milan, Paris, and New York. The ability to make “quirky” work. To take a classic style, then completely transform the look with an edgy print, material, or cut. This is London’s secret as a fashion tolerant city.
Burberry by Tischi, not a great collection shown in a forest setting. But I liked the solid colors of blues and oranges. The mix of denim on an all weather coat not so much. Save that for the influencers who take 30 selfies a day.
As an American, when I saw Erdem’s collection I though of romantic fantasy from an 18thcentury novel. The story reads, woman meets man on a walk, they fall in love but have others while longing for each other. The long lengths, whites and soft floral prints would be worn by the heroine of the tale.
I am not familiar LaQuan Smith but better late than never. Street fabulous meets Glam best describes a brand that goes for sex appeal without the guilt.
Halpern decided to feature real front line workers in his presentation. Normally, I am not in favor of “real people” as models. However, his creations were about empowerment merged with optimism. Frilling Pom Pom Dresses and suits made of spirited colors and prints.
Emilia Wickstead’s white sail boat prints, cropped tops and cottons made for delightful collection. I wished I had been there to touch each piece. The complication was the fact each delicate look came across as simple.