The 24h Tribeca Film Festival is underway. After many screeningsthere was funally time to write two reviews.
When there is Hollywood commercial weighted talent on the screen the expectations are high. Bryce Dallas Howard, Orlando Bloom Ian McShane playing his normal menacing mobster in Tom Kingleys’s underworld fish out of water work Deep Cover never managed to click despite trying too hard. From a script by Colin Trevorrow, Derek Connolly, Ben Ashenden and Alexander Owen, Deep Cover suffers from too many ideas in its brashy 100 min run. Three misunderstood characters played by Howard, Bloom and Nick Mohammed get corralled into working for the London police as moles in the mafia.
From improvision to a world of dark forces the trio confront Albanian drug lords, handle false grenades and guns all in the name of performing in character.
It’s difficult to combine the two elements as director Kingley attempts to weave a pace of comedy with risky tension. There is the problem. The failure of Deep Cover is the lack of both.
Are the Mitford sisters lives interesting or perplexing? Why did these ladies with the perfect pedigree make these choices? Outrageous is the latest” Aristocraticplotation” from England complete with scenes in grand rooms, men dressed in black ties and ladies worrying about what to wear while toasting Champagne. The lifestyles of the misunderstood gentry class.

A series from BBC’s BrixBox covers the book from Mary Lovell on the sibling’s chronicles in the 1930’s before the war. Series creator Sarah Williams should be credited for trying to modernize the high society “rebels”. Are the creative team behind Outrageous “Kardashianize” the Mitfords to appeal to a wider audience? If reality tv existed eighty years ago these six offspring would have made great watching, each deserving her own season as a lead. Yet, for some reason the latest tales of Nancy, Pamela, Diana, Unity, Jessica and Deborah in their dysfunctional aristocracy world is stale trying to disguise itself as modern mid-level art tv.
Screened online at the Tribeca Film Festival 2025.